The MET is really a huge museum, I
remember I went last year to take some pictures, but I forgot about that, so
when I got in I was like “WOW.” You can get lost easily inside, and since is
usually crowded that make it worst.
I went with my friend, and as soon
as we got in we took a map, then we paid and entered to the exhibitions. As
soon as I saw the sign of “Photographs” I headed that place (I’m photographer that’s
why it caught my attention at the moment).
They had an exhibition called “Photography
and a foul play” which was about the photography in the criminal world, the
importance that had photography to document criminals, the making of mug shoots,
documenting crime scenes, etc. It was really interesting seeing that exhibition
because was like a flashback for my history of photography and photojournalism
classes, and I got to see the real prints of really good/famous photographers
(I only have seen them virtually).
After that exhibition I went to the
European painting and sculptures section located in the same floor, and then to
the Asian and Eastern art section, so during my visit at the museum I saw photograph
prints, paintings, sculptures, and antiques from past civilizations. It was
really interesting. In order to appreciate the variety of art I saw I had to
look from a close, far, and medium distance, all depended of the size of the
art, the lights (basically the lamps in the ceiling), and the kind of art I was
seeing. For example, some sculptures were “open air” and without supervision,
so I could take a close looking, walk around them, and even touch them. Others
were so big, that I had to take some steps back to see the whole painting, even
though I also gave a close look to appreciate good details, like the brushes,
some cracks in the painting and other small details, however some paintings
were oil on canvas and at the moment of get close was a little hard to see it
good due to the reflections of the light.
Overall I engaged every art from
distinct distances each one, so I could have different perspectives and a wide appreciation
of the art itself.
Most the museum has the same characteristics
regarding lightning (lamps attached to the ceiling, I never saw a special light
highlighting an art piece) and wall color (I could observe three different wall
colors during my travel in the museum), the frames match the art (specifically
photograph and paintings) some art just a little monochromatic frame (black,
white, red), some are more decorative.
For each painting I gave a quick
glance before read the label, and then I observe the painting with more detail
to match the label description with the painting itself.
Sometimes I got a little confused because
some labels weren’t placed correctly, I mean in a wall with 3 paintings, one
above the other two, and two labels on the side of one of the lower ones, and a
no clear explanation of the painting led me to be confused. But that is in my
opinion.
In general terms, the museum is
really well organized, the signs well located, the labels very descriptive
(although I wish some had better explanations), so is really easy to leave
there well informed, with a lot of new knowledge. The museum is really interesting;
you could spend all day there without being aware of how the time flies inside,
not only because is really, really huge, but because you will learn a lot of
different kinds of arts, ages, cultures, etc.
I always have had an appreciation for art, so everything was interesting for me, but
only certain things really caught my attention, the photograph section because was fascinating
see in real life old photographs from famous photographers. Also other things like antiques
pieces because they allow you like travel back in the time and imagine how was everything
in that age. For example, the hieroglyphs (amazes me how they achieve write that way in
little rocks with that perfection and style).
I took my time to check every art I
chose to look at. Some art pieces that got my attention more than other, so I
stayed more time looking at those ones, trying to get more and better details. For
some paintings I just took a glance, for other ones I stared for a while.
I got a better explanation of the
pieces. Before read the labels I looked at the art, but no always understood or
knew about what it was. After read the labels I was like “Mmm interesting
facts,” or “now I understand.” A fun fact that happened to me is that I saw a
painting and I though it was a portrait of Frida Kahlo because of the
resemblance, but I realized I was wrong after read the label.
I like to use both formal and
stylistic analysis, because is good to appreciate a great art, but also an original
one. With this I mean is pleasant to the sight see a perfectly done piece of
art, but if is cliché or something that you see everyday it will be boring
although is very well done. On the other hand, if is not technically great but
original, something out of the ordinary, and captivating, I will enjoy it as
well. So, again, I used both kind of analysis, I observed the talents of the
artist, but its originality too, some paintings are really beautiful and “perfects,”
however in my opinion are something ordinary. Other paintings, were really
extraordinary although it wasn’t beautiful to the eyes.
We
are in the Holy Week, so I got into a section called “Comparing the Rotterdam
Drawing and the Underdrawing of the Met’s Crucifixion” and they had different
interpretations about the crucifixion of Jesus Christ. The painting I chose to
analyze is The Crucifixion; The Last
Judgment (ca. 1440–41) by
Jan van Eyck. Although this
painting is composed by two parts, I chose to focus my attention in one, The
Last Judgment.
This painting is very touching and meaningful
to me. I am a Christian, and that painting represent something special for me
because is the day that we all Christians long for, the last judgment, the day
we will se Jesus.
Analyzing it formally is a painting
that was perfectly done and it’s very detailed, excepting (in my opinion) Jesus’
face, because it looks like Chinese and He wasn’t (but if that is the painter
interpretation I respect it), and that he has the cross behind him. I could say
that the painter had knowledge of the Bible or at least he read the book of
Revelations where the final days are described.
In order to successfully engage with
the paint is vital look at it from different distances. From a far so the whole
panorama can be appreciated. Everything happening in the heaven, the earth, and
the hades.
On
the other hand, is important to get a very close looking so every detail will
be appreciated. Beginning from the heaven you will observe Jesus in the center,
with angels playing the trumpet around him. At his feet I guess are Mary and
Joseph, under them a chorus, and the apostles in each side of the chorus, and
around all the people that have been saved or is waiting to be judged, people
from different cultures/religions can be observed. There are two angels like
saying “next.”
Then there is the earth, people
suffering, agonizing, yelling for help or forgiveness, some are sinking, others
are burning and falling into holes (to the hell).
Then we see the Archangel Gabriel
keeping the door of the hades with a sword and a shield. The doors of the
heaven are represented by a devilish skeleton. The creepiest part, the hades,
the people falling into it and being devoured by horrid creatures (demons). Is
really detailed, all kind of monster setting the people apart, cutting them
into pieces, people suffering and full of pain, it really gives me goosebumps.
Is a perfect representation of hell.
In my opinion is a masterpiece, very
original, and well represented. I also like the frame chose to keep the painting.
https://www.metmuseum.org/toah/works-of-art/33.92ab/ (Original painting in color).
Excellent work here Gabriel- especially considering how the lighting and setting and labels affected your way of seeing. And the last painting you did analysis on was a great choice to look at up close and from afar. So many details. Also I am glad you found a good photo exhibit too!
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