The painting titled “East Hampton
Meadows” by George Henry Smillie exemplifies many of the attributes that are
used to create shape on a flat 2D surface.
The foreground consists of a tiny pond that seemingly stretches beyond
the field of vision of the viewer. The
middleground consists of a makeshift wooden fence that may or may not be used
to demonstrate a barrier or fence between two plots of land. The middleground
also contains two trees on both sides of that fence. The background contains a clear sky and trees
that veer into the horizon after a sizeable distance between the makeshift
fence. Upon closer inspection,
significant details begin to emerge from the painting. For example, the artist uses different
shading and blending techniques to demonstrate which parts of the pond in the
foreground are shallow and also which parts contain more depth, which are
highlighted through the usage of light and dark respectively. It perhaps can even be speculated that the sun
may be past its zenith due the shadows of the trees in the middleground
pointing towards the east. The artist
further applies the use of value to demonstrate the time of day by making the
right side of the painting lighter than that of the left, perhaps also
indicative of the location of the sun.
This artist also utilizes overlapping by adding ducks and geese of
different sizes in the foreground and placing them against one another to
portray a sense of depth. Also it is to be noted that the animals are painted
in accordance to their relative scale in which they do not appear larger than
that of the pond besides them, which further emphasizes their size and
relationship within the foreground. Upon
deeper examination, the artist utilizes hatching and cross hatching to add
depth and value for the thickets that rest around the pond in the foreground
and also around the landscape surrounding the pond. The details within the leaves of the trees in
the middleground also are given shape and form through the use of hatching and
crosshatching. An interesting detail appears when focusing on the horizon line,
the artist adds a glimpse of different color on the left-hand side behind the
canopy of trees that make up the background as if to imply that there is indeed
more land that stretches even further behind.
This beautiful painting cumulates into a very satisfying experience for
the viewer because there is an abundance of detail in both a general and
close-up analysis of said painting.
good work here- and you were able to apply some of the drawing terminology to a painting. Note: hatching and cross hatching are usually used to refer to drawing marks only, in a painting we would call them brush strokes.
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