Monday, April 4, 2016

Blog Post #2

Strasbourg, le Pont du Corbeau

1936Maurice AchenerBorn: Mulhouse, France 1881Died: Paris, France 1963etchingplate: 7 x 12 in. (17.9 x 30.5 cm)Smithsonian American Art MuseumGift of Chicago Society of Etchers1935.13.498Not currently on view



Achener's painting is a beautiful piece of art that captures the true reality and impression of the setting. As I looked at the art piece i was mesmerized because the tree is exactly the way you would go outside and see it with your own two eyes. The painting is very realistic and the shading and lines are impeccable. In a formal analysis the painting is used many tones of shades which is what gives it life and the exact detail that it needs to give it life is also impressive. I wouldn’t even be able to do that with my pencil. On the stylistic analysis the painting is very comforting and I can guess that the location of the painting must be one the artist enjoyed and knew very well. The artist captured details that would have taken time to notice. Not everyone has an eye to see and appreciate the true beauty of nature, the way the artist captured it in his painting. The artist definitely has the skills and the artist perspective to capture the scenery so perfectly. You can also witness the lines used and contour lines which is definitely in the work of art. Especially the tree uses these lines and the buildings. In the painting we definitely can see the foreground, middleground, and background. The tree is the foreground, the building behind the tree is the middleground and the background is the other building more visible on the right. The relative size and scale is also very visible because the tree and the house/ building is visibly more larger. As we move to the background its relatively smaller. The painting also has different values and shading which is what makes the painting look like art and not just a bunch of lines in a piece of paper. In the detail of the tree it’s possible that the artist used hatching and crosshatching in order to shade certain details of the tree. For the linear perspective, vanishing point, and horizon line is hard to tell. It could be possible that it has two of each. It could be that it has two of each.


Monica Luna-Serrano

1 comment:

  1. Good work here! What do you mean that there might be "two of each?" That part is confusing- there is only one horizon line, but we do see different ways linear perspective is used- is that what you meant?

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